14,085 Royalty-Free Audio Tracks for "Anthems Of Belgium"

Tiger Rag performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 15 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Enregistrement de l'exposition coloniale

Come May performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 10 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Rubber Grommets and Liquor performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 12 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander TSgt Jeff Sofet, alto saxophone SSgt Steve Knowis, trombone SSgt Scott Vignassi, trumpet

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - II. Scherzo Assai vivace

Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

A rendition of the traditional gospel Jesus Walked That Lonesome Valley (also known as Lonesome Valley), performed by the famous Million Dollar Quartet during the Sun Session

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Alice in Wonderland performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 11 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeants Debra Jamison, vocalist Staff Sergeant Scott Vignassi, trumpet

Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone

World War V performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 13 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Airman First Class Kevin Burns, trumpet

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

beginning of "If ye love me" by Thomas Tallis

A rendition of the traditional gospel Softy and Tenderly, performed by the famous Million Dollar Quartet during the Sun Session

Enregistrement de l'exposition coloniale

This song is based on melody of the Italian song Bandiera rossa. It was released on a cassette tape prepared by the Organization of Struggle for the Emancipation of the Working Class and released in Iran circa 1980.

Entraînement de l'organiste.

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

The Way Things Ought to Be performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 9 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Scott Vinassi, trumpet Airman Farid Barron, piano

Crows Nest performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 8 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Dave Bandman, trombone

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).

O selige Nacht (Melodie Heinrich Bone 1858); Gotteslob (1975) Hildesheim 814; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 II

Octave on C. 1/2: 1200 cents.

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Seventh augmented eleventh chord on C.

My Thoughts, 1930 Australian Aboriginal spiritual by Tom Foster (1870–1940), Tharawal Australian Aboriginal with sample drum beat – all rights waived

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Four-semitone tritone scale on C

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Mahler Symphony No. 10 Adagio bars 201-213

Beyond the Horizon performed by the Concert Band of the United States Air Force Heartland of America Band. Track 13 from Beyond the Horizon (1997).

Rondo à la Krakowiak F-dur op. 14Rondo for piano and orchestra, Op. 14 (Rondeau de Concert 'Krakowiak')

Trumpet in Blue performed by the Concert Band of the United States Air Force Heritage of America Band. Track 11 from American Salute (1998).

Author: Jaser 12345, made and released by myself into the public domain.

Choro "Intrigas no Boteco do Padilha" composed and recorded (1940) by Luis Americano (Clarinet).

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Handel's Music for the Royal Fireworks, HWV 351 - I. Overture

An Artist's Life waltz by Strauss

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.